{"id":595,"date":"2018-02-22T16:03:21","date_gmt":"2018-02-22T21:03:21","guid":{"rendered":"http:\/\/mariehelenebeaudry.com\/press\/"},"modified":"2018-02-22T16:35:51","modified_gmt":"2018-02-22T21:35:51","slug":"press","status":"publish","type":"page","link":"https:\/\/marie-helenebeaudry.com\/en\/press\/","title":{"rendered":"Press kit"},"content":{"rendered":"

[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.105″ background_layout=”light”]<\/p>\n

Jules Arbec, Art Critic
\n<\/strong>

\n\t\t\t\t\t

Click here to learn more<\/span><\/span><\/h3>\n\t\t\t\t\t
The creative function implies constant research for the artist who must convey the surrounding environment and capture the myriad details that will help him or her artfully render its finest subtleties.\u00a0 As for Marie-H\u00e9l\u00e8ne Beaudry, these objectives constitute a privileged road carrying her forward in an intense and profound creative adventure permitting her to see and give live.<\/p>\n

Above all, for Beaudry, the act of painting becomes an all-consuming passion, and a willingness to project her message into the very depth of sensory experience, going even beyond matter.\u00a0 She thus weaves the secret links uniting reality with imagination, matter with spirit.\u00a0 Like her previous work, her current production is defined by her attitude and the receptivity and openness she has towards people and objects.\u00a0 This availability comes by experimenting with different methods of expression.\u00a0 For her, this does not imply she arbitrarily submits herself to the various techniques \u2013 challenging, as they may be \u2013 but rather, that she deliberately avoids the beaten path.<\/p>\n

With audacity, she attempts the different steps of the process, initially focusing on the development of the background.\u00a0 This preoccupation with space manifests itself by the use of dripping and other gesticular methods as she transgresses and overflows the parameters that one would normally call upon.\u00a0 Influenced as she is by her sculptural work, the artist tames the form with determination and spirit.\u00a0 She emphasizes its contours in order to better convey its inner meaning in a conscious and constant dialogue.\u00a0 Marie-H\u00e9l\u00e8ne Beaudry passes modelling to the enhancement of metal pieces, from wood to stone treatment, then devoting herself almost exclusively to pictorial production.\u00a0 For her, this language still has a rapport with space, which she attempts to invest with magnitude and depth.<\/p>\n

The artist develops the two dimensional aspect of the picture with a formal vocabulary borrowed from her sculptures, by focusing on the acuity and pertinence of the mass.\u00a0 The elaboration of the pictorial scope meets her willingness to fully inhabit the work, or to become one with it in the most physical sense of the term.\u00a0 For Beaudry, the human body, and the exploration of its shape, becomes the picture\u2019s centre.\u00a0 First, she shows a gallery of characters whose presence is defined and defined and redefined by going back and forth from abstraction to figuration.<\/p>\n

The artist creates distance from her work in order to develop a more objective treatment of her subject.\u00a0 This distance allows her to establish an implicit and explicit rapport between the painting\u2019s components.\u00a0 Motion results, rendering the entire work dynamic.<\/p>\n

In this commotion, one can talk about the particular rendition of the individuals who become, in many regards, the conscious or unconscious projections of the artist\u2019s corporal shape, which literally invades the space.\u00a0 Beaudry actualizes and gives it value in a range, which practically constitutes the true language of her work.<\/p>\n

These quasi-human forms can be perfectly rendered or simply suggested.\u00a0 They emerge from the background, then inhabit and define the painting, flowing from the more or less stated interaction, which ultimately links them. The strokes, at once supply and sustained, discretely reinforce the contours of the forms, accentuating here and there the illusion of volume, side by side with the rather flat treatment governing the structure of her painting.<\/p>\n

The viewer becomes a witness to a continuous transition from the second to the third dimension, or vice-versa, producing an internal pulse favouring the picture\u2019s unity.\u00a0 The same motion attracts the eye, which measures the space by penetrating the painting\u2019s interior, thus becoming a new world to discover and a new universe to rebuild.\u00a0 Here, the judicious use of colours is its reflection.\u00a0 In fact, Marie-H\u00e9l\u00e8ne Beaudry is an accomplished master of colour, while conserving a restrained palette whose tones remain precise and rich by the enveloping shades.\u00a0 From the gradual range of colours flows a soft atmosphere inspiring a dream-like vision of the person, who then becomes both subject and object of the creation\u2026of the reflection.<\/p>\n

In this discreet climate, Marie-H\u00e9l\u00e8ne Beaudry shares her emotions much like a secret she veils and then unveils on the painting\u2019s surface.\u00a0 By their density, her forms and colours become words and questions, making us progress from the visible to the invisible, from the imaginary to the real.<\/p>\n

Jules Arbec\nArt Critic<\/div>\n\t\t\t\t<\/div><\/strong><\/p>\n

Marie-Christine Lussier, author<\/strong>
\n

\n\t\t\t\t\t

Click here to learn more<\/span><\/span><\/h3>\n\t\t\t\t\t
Nowhere and everywhere. A space where the artist is at ease.<\/p>\n

Marie-H\u00e9l\u00e8ne Beaudry\u2019s work breathes freedom. Her paintings have a unique quality; they evolve before our very eyes. He transcendent shapes convey the viewer into another dimension\u2026 and the viewer is more than tempted. His consenting eyes are captured by the imaginary, he adapts his dreams to the world he sees, he becomes himself creator.<\/p>\n

For Marie-H\u00e9l\u00e8ne, the creative process begins with emptiness. An hour of meditation is an absolute must before holding the brush. To be in tune with the moment, the sky has to be clear.<\/p>\n

The expression of her work is spontaneous and experimental because she is constantly evolving from one world to another.<\/p>\n

She worships the moment, this is why she imposes on herself no constraint and no plan. The immaculate canvas will dictate the path.<\/p>\n

Marie-H\u00e9l\u00e8ne has an intimate relationship with colors. She dives into the Prussian blue, she soars with the luminous ocres. Like a chameleon, she alters her skin color to embrace the mutant on the canvas. She will just go where she needs to go. That\u2019s how free spirits do.<\/p>\n

There are so many avenues in art, but one thing that should be said about Marie-H\u00e9l\u00e8ne Beaudry\u2019s work is that it invites us to rise above the routine of life. It is everything but real.<\/p>\n

The essence of dreams is lightness and fantasy. So be it, thinks the unrestrained artist before discarding the thought itself.<\/p>\n

Let there be light!<\/p>\n

Marie-Christine Lussier, author<\/strong><\/div>\n\t\t\t\t<\/div><\/p>\n

2010 April\/May
\n<\/strong>Gallery & Studio<\/p>\n

Ed McCormack
\nDeciphering the Enigmatic Iconography of Marie-H\u00e9l\u00e8ne Beaudry.pdf<\/em><\/a><\/p>\n

2008-09 December\/January<\/strong>
\nGallery & Studio<\/p>\n

Ed McCormack
\n<\/a>Marie-H\u00e9l\u00e8ne Beaudry: The School Boy as Mercury<\/em><\/p>\n

2007 September\/October<\/strong>
\nGallery & Studio
\nEd McCormack<\/a> : Marie-H\u00e9l\u00e8ne Beaudry at Caelom Gallery: Scenes from the Life of a living Doll – Page 8
\n<\/em>

\n\t\t\t\t\t

Click here to learn more<\/span><\/span><\/h3>\n\t\t\t\t\t
Marie-H\u00e9l\u00e8ne Beaudry at Caelum Gallery :<\/p>\n

Scenes from the Life of a Living Doll<\/p>\n

The little girl with the thick brown pigtails in the black and white polka-dot blouse and bright red skirt has an eerie, fixed smile on her face, as she romps on the seashore, sometimes in the company of a double, who could either be her twin or one of those imaginary friends lonely children sometimes conjure up as playmates.<\/p>\n

The latter possibility would seem especially likely, since the little girl is actually a doll and therefore somewhat imaginary herself, being a repository for the imaginations of others. However, she is “a living doll” -not in the way that term is usually meant, as a signifier for “cute” ( she seems too complex a character to be summed up with such a saccharine word), but in the most literal sense: a doll that has actually come to life, like Pinocchio, the little puppet in Carlo Lorenzini’s nineteenth century morality tale for children, whose nose grew whenever he told a lie.<\/p>\n

Like Pinocchio, too, the little doll-girl who serves as the protagonist of Marie-H\u00e9l\u00e8ne Beaudry’s new series of paintings at Caelum Gallery, 508-526 West 26 th Street, from October 16 through November 3 ( with a reception on October 18, from 6 to 8 PM ), is engaged in a sequence of picaresque adventures. However, one does not get the sense that its denouement will teach her (and us) some moral lesson. For Beaudry is a quintessentially postmodern painter, and post-modernists in both visual art and literature do not go in for denouements. Nor do they generally like to offer pat prescriptions regarding right and wrong.<\/p>\n

So rather than a morality tale, what this widely exhibited and celebrated Quebec artist’s fifth solo show at Caelum gallery suggests is a non linear existential fable as devoid of closure as the DVD by Beaudry that runs continuously on a video monitor in the gallery in tandem with her paintings. It is called “Life is Doll,” and features a succession of people in the Beaudry’s studio (where some of the same paintings as in the gallery can be seen on the walls), seated on a little vehicle with wheels-a”dolly”? attempting to answer a question posed by the artist: “Why is Life Doll ?”<\/p>\n

Perhaps because of the artist’s French Canadian accent, and because some of the people being interviewed might also be more fluent in French than English -not to mention that the question would also make more sense that way anyway – most of them seem to take the word “doll” as “dull.” ( That English is obviously a second language for the artist and for at least some of the interviewees causes a slight cognizant dissonance that makes the pun go down easily!)<\/p>\n

The one exception is a bodacious younger woman who bursts into a raucous version of the song, “Black Satin Dolls,” then grows more subdued and says, “Life is a doll, and like a doll, you should take care of it…”<\/p>\n

The others, however, almost all offer earnest explanations of why life is or isn’t dull, making the entire tape an intriguing series of non sequiturs that reminded this reviewer of the tongue-in-cheek “screen tests” that Andy Warhol used to conduct for prospective “superstars” at the Factory. Only, unlike Andy’s preening exhibitionists, the people in Beaudry’s video seem infinitely more thoughtful, as they respond to the question, as though to defend life itself (“Why is life dull? I don’t think so…I find it painful sometimes, but not dull,” says one man).<\/p>\n

Very often video and painting don’t work together very well, each distracting from the other; but in this exhibition the two disparate mediums meld perfectly, the indeterminacy of the interviewees, as they ponder the issue of ennui, complementing the interestingly “unfinished” quality of the paintings, wherein even the waves often appear tentative, as they roll up to the shore like murky gray shadows. Like the shadows on a sleepless child’s bedroom wall morphing into monsters, at times the shadowy surf in Beaudry’s painting can appear almost sinister, as though its undertow could seize the doll-child by her ankles and drag her out to sea; or as if one of its waves could rear up to engulf for forever in the general overcast gray of the painterly day.<\/p>\n

The child, however, appears fearless, even Napoleonic, as she sits in one picture astride a toy lamb, sporting a floppy, feathered hat like that of a Cavalier, with a much smaller Barbie-type figure dangling from one hand like some vanquished foe or trophy in a War of the Dolls. Or, in another, appears to dunk a somewhat larger bald baby-doll in the water as though to baptize or drown it, all the while regarding the viewer with those big, not-quite-innocent eyes and that familiar fixed grin. Or, in yet another, appears impish, smiling her weird little Howdy Doody grin as a gust of wind lifts her red skirt to reveal her blank little doll buttocks, while her double gawks mischievously on the beige beach, with the vast gray sea filling the entire horizon like a silvery sky.<\/p>\n

Indeed, like Luc Tuymans and Marlene Dumas, Marie-H\u00e9l\u00e8ne Beaudry has a way of using close-valued colors to blur the boundaries and distinctions between forms, making one thing look like another, creating a sense of ambiguity that can charge the most ordinary moments with an atmosphere of anxiety or even sublimity.<\/p>\n

Such moments exemplify magic that is possible in painting, the only medium besides poetry in wich a perception of something ostensibly real can metamorphose from concrete to fanciful in the time it takes to traverse the short distance from the brain to the hand.<\/p>\n

In fact, these pictures are invariably as much about the subtle little felicities of painting as whatever they purport to depict. Just as her brushstrokes are simultaneously surrogates for the flow of water and objects of delectation in their own right, the size of her paintings in relation to the body of the viewer says something as actual and abstracts as the spaces she evokes within the confines of the canvas, demonstrating the conceptual complexity that makes Marie-H\u00e9l\u00e8ne Beaudry a consistently fascinating artist.<\/p>\n

Ed McCormack<\/p>\n

Gallery & Studio, September\/October 2007<\/div>\n\t\t\t\t<\/div><\/p>\n

2005 December<\/strong>
\nMagazine \u2013 Parcours<\/em>
\nRobert Bernier signs a 2 pages articles<\/p>\n

2004 June<\/strong>
\nTV Program \u2013 Radio-Canada<\/em>
\n\u2018\u2018Une Emission en Couleur\u2019\u2019<\/em>,\u00a0uses 10 paintings as a decor from June 11-29.<\/em><\/p>\n

2003 December<\/strong>
\nMagazine \u2013 Femme Plus<\/em><\/p>\n

Designed Marie-H\u00e9l\u00e8ne Beaudry \u2018\u2018Femme du Mois\u2019\u2019 (Women of the month)<\/em>
\nNamed Marie-H\u00e9l\u00e8ne Beaudry as the woman of the month, and published an article, by Elaine Caire, on her personal journey.<\/p>\n

2003 October<\/strong>
\nMagazine \u2013 Parcours<\/em><\/p>\n

Published an article, entitled, \u2018\u2018D\u00e9termination motrice\u2019\u2019,<\/em> by Nathalie Paquin,
\nanalyzing the artwork of Marie-H\u00e9l\u00e8ne Beaudry in her solo show in Montreal.<\/p>\n

2003 September<\/strong>
\nRadio \u2013 Radio-Canada<\/em><\/p>\n

Jo\u00ebl le Bigot, Radio-Canada\u2019s morning man, invited his listeners to Marie-H\u00e9l\u00e8ne Beaudry solo artshow at the gallery \u2018\u2018Espace Parcours\u2019\u2019<\/em> qualifying it of \u2018\u2019interesting , must see\u2019\u2019.<\/p>\n

1995 January<\/strong>
\nTV Program \u2013 Radio-Canada<\/em><\/p>\n

\u2018\u2018La Ru\u00e9e vers l\u2019Art\u2019\u2019<\/em>
\nMarie Plourde interviews the artist about her solo exposition at the gallery, \u2018\u2018L\u2019Inspecteur Epingle\u2019\u2019. <\/em>Marie-H\u00e9l\u00e8ne Beaudry is asked for comments about the underground art world.<\/p>\n

1985 April<\/strong>
\nRevue \u2013 Les Id\u00e9es de ma Maison<\/em><\/p>\n

Article on hand-painted fabrics and the use of new fabrics<\/p>\n

1985 January<\/strong>
\nJournal \u2013 La Presse<\/em><\/p>\n

The well-regarded journalist Madeleine Dubuc presents the artist\u2019s work and the spirit in which it evolves.<\/p>\n

1984 October<\/strong>
\nRevue \u2013 Les Id\u00e9es de ma Maison<\/em><\/p>\n

\u2018\u2018Six d\u00e9cors sign\u00e9s Eaton\u2019\u2019<\/em>
\nA regular column, titled \u2018\u2018Six d\u00e9cors sign\u00e9s Eaton\u2019\u2019<\/em>, illustrated an example of painted fabric used for wall covering.<\/p>\n

1984 May<\/strong>
\nRevue \u2013 Les Id\u00e9es de ma Maison<\/em><\/p>\n

\u201cThe article, \u2018\u2018Made in Quebec\u201d, described the work in progress of the artist for upholstery fabric, T-shirts and the fashion world.<\/em><\/p>\n

1983 November<\/strong>
\nMontreal Local TV<\/p>\n

Mme Marie Lussier and a team of specialists in art history discuss the evolution of printing on wall paper and upholstery fabric.\u00a0 In conclusion, Mme Lussier presents the work of Marie-H\u00e9l\u00e8ne Beaudry as \u2018\u2019era of Hope, a solution for an electronic world.\u2019\u2019<\/p>\n

1983 October<\/strong>
\nTV Program \u2013 Radio-Canada<\/em><\/p>\n

\u2018\u2018Telex-Art\u2019\u2019<\/em>
\nWinston McQuaide interviews Marie-H\u00e9l\u00e8ne Beaudry on the procedures leading from the artistic production up to marketing of the product. The artist introduced the term: \u201ctoiles utilisables\u201d.<\/p>\n

1983 October<\/strong>
\nTV Program \u2013 CFTM-10<\/em><\/p>\n

\u2018\u2018Entre Nous\u2019\u2019<\/em>
\nMadeleine Arbour, a well-known Montreal designer, presented Equinox, a collection of fabric designs for furniture upholstery, created by Marie H\u00e9l\u00e8ne Beaudry.<\/p>\n

1983 January<\/strong>
\nNewspaper \u2013 The Gazette<\/em><\/p>\n

Anabelle King praises the quality of fabric painting by the artist Recognition that this art represented a distinctly new development.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Jules Arbec, Art Critic
\n\t\t\t\t\t

Click here to learn more<\/span><\/span><\/h3>\n\t\t\t\t\t
<\/div>\n\t\t\t\t<\/div>The creative function implies constant research for the artist who must convey the surrounding environment and capture the myriad details that will help him or her artfully render its finest subtleties.\u00a0 As for Marie-H\u00e9l\u00e8ne Beaudry, these objectives constitute a privileged road carrying her forward in an intense and profound creative […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":""},"yoast_head":"\nPress kit | Marie-H\u00e9l\u00e8ne-Beaudry \u2013 Artiste en arts visuels<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/marie-helenebeaudry.com\/en\/press\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Press kit | Marie-H\u00e9l\u00e8ne-Beaudry \u2013 Artiste en arts visuels\" \/>\n<meta property=\"og:description\" content=\"Jules Arbec, Art Critic The creative function implies constant research for the artist who must convey the surrounding environment and capture the myriad details that will help him or her artfully render its finest subtleties.\u00a0 As for Marie-H\u00e9l\u00e8ne Beaudry, these objectives constitute a privileged road carrying her forward in an intense and profound creative […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/marie-helenebeaudry.com\/en\/press\/\" \/>\n<meta property=\"og:site_name\" content=\"Marie-H\u00e9l\u00e8ne-Beaudry \u2013 Artiste en arts visuels\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-22T21:35:51+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"13 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/marie-helenebeaudry.com\/en\/press\/\",\"url\":\"https:\/\/marie-helenebeaudry.com\/en\/press\/\",\"name\":\"Press kit | Marie-H\u00e9l\u00e8ne-Beaudry \u2013 Artiste en arts visuels\",\"isPartOf\":{\"@id\":\"https:\/\/marie-helenebeaudry.com\/en\/#website\"},\"datePublished\":\"2018-02-22T21:03:21+00:00\",\"dateModified\":\"2018-02-22T21:35:51+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/marie-helenebeaudry.com\/en\/press\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/marie-helenebeaudry.com\/en\/press\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/marie-helenebeaudry.com\/en\/press\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/marie-helenebeaudry.com\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Press kit\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/marie-helenebeaudry.com\/en\/#website\",\"url\":\"https:\/\/marie-helenebeaudry.com\/en\/\",\"name\":\"Marie-H\u00e9l\u00e8ne-Beaudry \u2013 Artiste en arts visuels\",\"description\":\"Humaine comme une oeuvre\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/marie-helenebeaudry.com\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Press kit | Marie-H\u00e9l\u00e8ne-Beaudry \u2013 Artiste en arts visuels","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/marie-helenebeaudry.com\/en\/press\/","og_locale":"en_US","og_type":"article","og_title":"Press kit | Marie-H\u00e9l\u00e8ne-Beaudry \u2013 Artiste en arts visuels","og_description":"Jules Arbec, Art Critic The creative function implies constant research for the artist who must convey the surrounding environment and capture the myriad details that will help him or her artfully render its finest subtleties.\u00a0 As for Marie-H\u00e9l\u00e8ne Beaudry, these objectives constitute a privileged road carrying her forward in an intense and profound creative […]","og_url":"https:\/\/marie-helenebeaudry.com\/en\/press\/","og_site_name":"Marie-H\u00e9l\u00e8ne-Beaudry \u2013 Artiste en arts visuels","article_modified_time":"2018-02-22T21:35:51+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"13 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/marie-helenebeaudry.com\/en\/press\/","url":"https:\/\/marie-helenebeaudry.com\/en\/press\/","name":"Press kit | Marie-H\u00e9l\u00e8ne-Beaudry \u2013 Artiste en arts visuels","isPartOf":{"@id":"https:\/\/marie-helenebeaudry.com\/en\/#website"},"datePublished":"2018-02-22T21:03:21+00:00","dateModified":"2018-02-22T21:35:51+00:00","breadcrumb":{"@id":"https:\/\/marie-helenebeaudry.com\/en\/press\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/marie-helenebeaudry.com\/en\/press\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/marie-helenebeaudry.com\/en\/press\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/marie-helenebeaudry.com\/en\/"},{"@type":"ListItem","position":2,"name":"Press kit"}]},{"@type":"WebSite","@id":"https:\/\/marie-helenebeaudry.com\/en\/#website","url":"https:\/\/marie-helenebeaudry.com\/en\/","name":"Marie-H\u00e9l\u00e8ne-Beaudry \u2013 Artiste en arts visuels","description":"Humaine comme une oeuvre","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/marie-helenebeaudry.com\/en\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/marie-helenebeaudry.com\/en\/wp-json\/wp\/v2\/pages\/595"}],"collection":[{"href":"https:\/\/marie-helenebeaudry.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marie-helenebeaudry.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marie-helenebeaudry.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marie-helenebeaudry.com\/en\/wp-json\/wp\/v2\/comments?post=595"}],"version-history":[{"count":6,"href":"https:\/\/marie-helenebeaudry.com\/en\/wp-json\/wp\/v2\/pages\/595\/revisions"}],"predecessor-version":[{"id":602,"href":"https:\/\/marie-helenebeaudry.com\/en\/wp-json\/wp\/v2\/pages\/595\/revisions\/602"}],"wp:attachment":[{"href":"https:\/\/marie-helenebeaudry.com\/en\/wp-json\/wp\/v2\/media?parent=595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}